ROBERT MENZEL - ALCHEMY is the "youngest child" of the saxophonist. It outlines his musical coordinate system in an impressive way, takes the listener on a journey that is marked by breaks and the search for beauty. The compositions of Menzel and their interpretation describe, through their emotional density and penetration, a cosmos, which, if one gets involved, only Difficult to escape. Jazz and improvisation are always a mirror of the soul of the performer, a collective process that must be characterized by trust in order to give music the space it needs in its path of individuation. This trust of the protagonists is clearly felt here, the dream-traumatic handling of the music within the composed framework is almost uncanny.

Roman Ott is an exceptional instrument on the saxophone, his unmistakable sound and saxophone playing is a must to experience the "good old magic". He will present songs from his new album "If You Lived Here You'll Be Home by Now", which will be released on the internationally acclaimed label FreshSound. The musicians, with whom Roman Ott will present us his new album, belong without exception to the elite of modern jazz. An intense musical experience with honesty and depth.
Press: [...] here a surprising maturity mix with the gripping interplay of his [...] quartet
A sympathetic debut with great potential. Jazz Thing
Ott plays with a fresh, fresh sound. [...] His phrasing is excellent, moving between a clearly accentuated tone and a slightly faded language.
Jazzpodium 07/08 2007, Jörg Konrad
Independent sound as from a single [...] Roman Ott has developed into a sensitive soloist, who has a distinct warm, sometimes almost intimate sound [...]. [...] Even with furious up-tempo titles nothing gets out of control
Weser Kurier [...] a young quartet with great potential and enormous energy.
Radio Bremen First class teamwork with high creative potential. Nordseezeitung Early on, he had cultivated a remarkably mature, powerful and lyrical saxophone sound. Radio Bremen

At this year's gig at the "new" B-Flat at Dircksenstraße 40 in Berlin-Mitte, there will be first auditions of the new album "Future Blues - Algorithms & Improvisations" with a mix of Jazz, House and Electronica. For this occasion Oliver Hafke Ahmad has put together a new young band.
Bandleader and saxophonist Oliver Hafke Ahmad, the Syrian-Serbian guitarist Amr Hammour, the Argentine-Swiss vibraphonist Lucas Dorado, bassist Maik Antrack and drummer Benjamin Strauss perform songs and electronic music inspired songs from the new album "Future Blues" a few hits from the first album "Back & Fourth".

"M0VE” is a prominent contemporary improvised music ensemble with international roots: Harri Sjöström - Finland, Adam Pultz Melbye - Denmark, Dag Magnus Narvesen - Norway, Emilio Gordoa- Mexico and Achim Kaufmann - Germany. 
They all met in the oscillating city of Berlin and perform together since the early 2014, - featuring different guests, for ex. the polish clarinetist Mateusz Rybicki, the australian drummer/percussionist Steve Heather and the german double bassist Matthias Bauer.
This quintet plays with a broad range of sounds and within a wide dynamic spectrum, communicating in an extended sonic language in different genres such as explosive avant-garde music, instant composition with subtle sound scapes and echoes of „free jazz“.
The music of M0VE quintet is described by the listeners as: Unexpected, spontaneous, fresh, surprising, seductive..
Cooking at its best!

Think Big! Tellingly, the new project of Jacobien Vlasman, the "best jazz singer of Berlin" (Tagesspiegel) can not rewrite. Because with "Jaco Says Yes" the Dutch vocalist, composer and arranger says "Yes" to the great format.
The octet developed their stations in Berlin, Amsterdam, Copenhagen, Paris and Trondheim during their Master's program EUJAM lives on an enormous range of expression: With wordless vocal lines enriched textures à la Maria Schneider stand there beside gloomy Klangumwölkungen, which the singer and composer selectively sent through the Use of effects devices. In the dense rhythmic cocoons and the delicate harmony architecture of its large-format pieces Vlasman acts sometimes as additional blowers voice, sometimes as a source of noise, sometimes as a demonic revenant from television shows like "Breaking Bad" or "Twin Peaks" who goes there lyrically reliably where it hurting. But when it comes to desperate alive and love figures: Always turn Vlasman, alto saxophonist Jan von Klewitz, tenor saxophonist Malte Schiller, trombonist Alistair Duncan, guitarist Christian Kögel, pianist Tomek Soltys, bassist Pepe Berns and drummer Christian Thomé sound plays in a Pulsating creative braid, which one can not possibly escape as a listener. No question: The octet "Jaco Says Yes", which was recently equipped by the Berlin Senate with a scholarship for studio recording and video production, is one of the most unusual ensembles in the current European jazz. And the perfect playing field for the total vocalist Jacobien Vlasman, who is always looking for new expressive possibilities.

"The" Vandojam ", known from Paris and New York, now also takes place in the B-Flat.
Supported by Vandoren / Paris. "
Under the direction of Robin Draganic and Reiner Witzel

The ma|tov|trio focuses on powerful song-structures with simple melodies and harmonies to create an atmospheric mood. Still, the three musicians do not fear loud or noisy passages. The group, founded by Berlin guitarist André Matov, has its own idea of sound: pure groove instead of bulky sound-constructions. Experimenting with form and freedom, arrangement and improvisation, the trio defines its sound between grunge, ambient and groovejazz. Energetic, expressive guitar sounds are combined with the warm sound of the hammond organ.

Pascal - Seventies Songbook
The seventies - a decade of classics. The smash hits of this decade are more topical than ever before: "I`m not in love", "Riders on the storm" and of course "Smoke on the water". In the real and fakebooks of the jazz are the songs of the Beatles, but the hits of the 70s are still missing there, unfortunately unjustly. She can sing at once, try the Duke Ellington Jazz Stand! "Smoke on the water" can also be heard quite differently, one of the most famous German jazz singers has proved this and the hit of Deep Purple so to speak deeper. Pascal - Seventies Songbook is the current album by the singer Pascal von Wroblewsky, and the musician Jürgen Heckel, Peter Michailow and Max Hughes. With her playfulness, refinement and concentration, she dedicates herself to Deep Purple, The Doors, 10CC, Emerson, Lake & Palmer, Janis Joplin and others. Wroblewsky began her career in the mid-80s with her solo album "Swinging Pool" A Golden Record. Since that time, she has also worked with the guitarist Jürgen Heckel, who has become known as a composer and arranger of the fusion band "Bajazzo" through his ideas, which are bursting with ideas. With the Seventies songbook the musicians continue their success story, the quartet works on the legacy of rock music and the old songs sound refreshingly different.

In this quintet, high-caliber musician personalities from the international jazz scene meet.
"The listener experiences piano jazz from the Champions League" (jazzpodium).
"The man from Berlin presents himself as a pianist, who makes fresh sounds in the overcrowded trio genre." (Jazz thing)
The fast, virtuoso performance as well as the unrestricted play pleasure of the musicians gives a refreshing and relaxed listening experience: piano and percussion develop breathtaking grooves, far away from rhythmic jazz cliques with high energy. The soulful saxophone of Jan v. Klewitz - a unique, atmospheric band sound. "Since 1996, I have been living in Berlin, working with international Contemporary Jazz projects, with Brazilian, Afro-Cuban and Oriental musicians. The musical bridging between jazz and South America up to the music of the "Middle East" has characterized my artistic work in a special way. With this musical background, I also processed compositions of the 'Classical' and 'New Music'. "(Rolf Zielke). The music of pianist and composer Rolf Zielke is a reflection of contemporary jazz, latin and brazilian jazz and music of the 'Middle East'.

Anna Kaluza studied jazz saxophone in Cologne, Vienna and London. She joined Big Bands as the Freiburger Schüler Jazzorchester and the Landesjazzorchester Berlin. She was a member of Simon Rummel’s Fantasmofonika, which was awarded the jazz art prize NRW in 2004. With the German Band Futür she released the album “Kein Schnee” in 2007 (Jazzhausmusik). She played on festivals in Essen, Idstein, Leipzig, London, Hamburg, Köln, Düsseldorf. From 2008 to 09, she lived in London, pursued a Master’s degree at City University/Guildhall School of Music and Drama (funded by the German Academic Exchange Service). During this year she became a member of the London Improvisers Orchestra (L.I.O.) and the group Splatter and payed with musicians from the not applicable network and label. Since returning to live in Berlin she has been establishing the Berlin Improvisers Orchestra, which includes musicians from the L.I.O. and regularly plays with international guest musicians. She is a member of the Hanam Quintet (with Alison Blunt, Niko Meinhold, Manuel Miethe, Horst Nonnenmacher), the Kaluza Quartet (with Christof Thewes, Jan Roder, Oliver Steidle), the trio Baustelle No 5 (with Julian Keßler and Johannes Held) and a Polish-German quartet with Artur Majewski, Kuba Suchar and Rafal Mazur.Oliver Steidle – drums

NYC-based Saxophonist/Composer, Uri Gurvich, is celebrating the release of his new album, KINSHIP, on the French label, Jazz Family. For his engagement at B-Flat he is joined by some of the leading voices on the European Jazz scene: Tino Derado on piano, Josh Ginsburg on bass and Tobias Backhaus on drums. Uri Gurvich was a member of the Tel Aviv Jazz Orchestra and won the Jazz Player of the Year competition in his native Israel before coming to Berklee, where he studied under Joe Lovano. Based in New York for the past decade, Gurvich won great acclaim as a bandleader with his debut album The Storyteller (Tzadik), featuring some of the most prominent voices on the contemporary jazz scene: Leo Genovese, Peter Slavov, Francisco Mela, and special guest Chris Cheek. All Music Guide called Gurvich, “a major new voice in jazz”. Gurvich’s second album, BabEl, featured his quartet and Moroccan multi- instrumentalist Brahim Fribgane on oud and percussion. The Los Angeles Times wrote that the music “transcends borders,” placing Israeli, Yemenite, East European, and North African music into a progressive jazz context. Gurvich and his quartet appeared at the legendary Village Vanguard, NYC Town Hall, Tel Aviv Jazz Festival, Washington DC Jazz Festival, Philadelphia Museum of Art, Atlanta Jazz Festival, Burlington Jazz Festival, Red Sea Jazz Festival, The Stone and more. "Organic, exotic and unpretentiously heartfelt" - JAZZ TIMES “Jazz is an indigenous American art form, but it is also a thoroughly global enterprise. And few of the music's practitioners embody its universality more completely than saxophonist Uri Gurvich" DOWNBEAT

"An unmistakable puzzle piece in the hard-to-digest 'Art of the Piano'"
"A fascinating, wonderfully emotional sounding experience that hovers, groovs and sounds!"
"No question: this trio belongs to the few, highly interesting trio of the jazz scene."
"That's it. Right in the middle of the Twelve. A perfect match! "
"A listening experience of the new German jazz"
"To make it short: Only the best can do it in this league. The Berlin group 'Center' is among these best, no doubt. Indeed, one can even say that Center has developed a new star in the heavens of this format, and whoever believes that he has already heard everything about piano, bass and drums, the horizon of which will in any case extend this trio "
Strong sounds, spontaneous choices, each song is a small journey.
The goal is clear: music in the center, triomusic ...
For 10 years now, the trio is thrilled by its own fascinating sound aesthetics. With elements ranging from modern classical music to indie rock, they approach the art form jazz from ever-changing perspectives, thus extending the proven gesture of a pianoforte. In doing so, the three skilfully give up long-winded solo self-presentations in favor of the mood of their strong self-compositions, which have given them the 2nd place at the New German Jazz Prize. "They do not only play good craftsmanship, they also have visions. It is an almost kammermusical form of the jazz, at the pulse of the time, the elements from classical to pop catches, thereby fine-telling story with tones and the art of the meeting and omission impressively heedes. "

The Ternion Quartet has existed since 2015. It was founded by the bassist and composer Anne Mette Iversen. Iversen came from Denmark and lived for a long time in New York City; She has been living in Berlin for several years. The frontline of the Ternion Quartet consists of the German alto saxophonist Silke Eberhard ("Rising Star", Downbeat Jazz Magazine 2015) and the French trombonist Geoffroy de Masure, professor at the Jazz Institute Berlin. The two musicians are excellently supported by the German drummer Roland Schneider and Anne Mette Iversen on bass. Iversen and Schneider began their musical collaboration already in New York, where Schneider also lived for many years. Iversen and Eberhard have also been playing together for some time; They met for the first time in 2001 in Aki Takase's band "April", a "Women in Jazz" all star lineup. The Ternion Quartet exclusively plays music by Anne Mette Iversen. Their compositions are in the jazz tradition and still have a very open and open approach. The rhythmic focus is on modern jazz, grooves and swing. The harmonic happenings result from composed and improvised melody movements of saxophone, trombone and bass. The melodic framework of the compositions is exceptionally fresh. Already in December 2015 the Ternion Quartet toured successfully in Spain, since then the band regularly in and around Berlin to hear. In July 2017, they are also guest at the Aarhus Jazz Festival and the Copenhagen Jazz Festival in Denmark.

SUPERSALAD is a jazz tradition with modern sound and songwriting at the heart of Berlin's capital. Four musicians, composers, arrangers and bandleaders - your different music combines in the common vision of a sound. Lyrical soundscapes are interwoven with powerful urban grooves, catchy melodies with crooked dialects and deconstructing collective improvisations. facebook.com/pages/Supersalad

Drummer and Bandleader Kai Schoenburg is once again creating a project with outstanding talents. In the tradition of the grooving modern jazz since John Scofield and Mike Stern, the "Jazz`n`Funk-Unit" combines refreshing rhythms, modern jazz, R'n'B, funk and sprung jazz improvisation of all involved musicians to a happening of inspiration , In addition, the voice of the singer Ben Barritt can be admired in melodic songs and self-compositions. An evening of concentrated energy is to be expected.

When Thomas Borgmann and Willi Kellers were invited to the Tenor Festival in January 2015 in the New York IBeam and Max Johnson was offered as a bass player by the organizer, this was a stroke of luck. From the very beginning, this was "one of the most magical sets that you do not forget", as Bruce Lee Galanther from the Music Gallery N.Y. , And for JazzRightNow, New York it was "the Best Live Concert 2015". A short time later, the concert was released by NoBusiness-Records as One for Cisco and the critics celebrated. Max Johnson is a bassist, composer and bandleader based in New York City. Known for his great sound, eclectic (in the good sense) style and joyful drumminess, Johnson has made a name for himself in the world of jazz as well as in improvised music and played among other things. With legends such as Anthony Braxton, John Zorn and Muhal Richard Abrams. In addition, he is "first call" Bluegrass bass player and plays with Sam Bush, David Grisman and Traveling McCourys & Tony Trishka. With 6 albums as a leader and over 1500 concerts under his belt, Johnson has proven to be a real bass guitar and a unique, exciting voice as a composer.
For the concert at the B-Flat this trio was extended by the bassist Christoph Winckel. He is regarded as the most self-assured and powerful bass player in the whole of Germany, a free player, but with immense swing. In the former GDR, he was one of the most active musicians, in the 90's he did a lot of theater work (Hamburg, Bochum), and tours in the Charles Gayle trio, Phil Minton, Brötzmann trio ....

Born on September 22nd 1983 in Castelnovo ne’ Monti (RE), Italy, he starts to study trumpet at the age of 8 at ‘Istituto Musicale Pareggiato Claudio Merulo’ in Castelnovo ne’ Monti. After receiving the Classical Trumpet Degree in 2002 he started the professional career, while studying Engineering at ‘Universita’ degli Studi di Modena e Reggio Emilia’. During these years he wins the Audition for the ‘Youth Orchestra Arturo Toscanini’ in Parma and he plays in several Opera Companies all around Italy, playing in the major Italian theaters. In summer 2007 he starts to study Jazz at ‘Siena Jazz Clinics’. After attending ‘UmbriaJazz Clinics’ in 2008 he receives a Scholarship for the prestigious Berklee College of Music of Boston (USA).
He moves to Boston in January 2009 and he graduates in 2011 with a Degree in Professional Music. While at Berklee he wins the “Al Natale Brass Scholarship” and “B.A.S Scholarship” for Academic value and he plays in the major bands of the school, like Phil Wilson’s “Rainbow Big Band” and Greg Hopkins’ “Berklee Concert Jazz Orchestra”. After the Degree he decides to move back to his country and in 2012 he starts teaching Jazz at the Conservatory ‘Istituto Musicale Pareggiato Claudio Merulo’ in Castelnovo ne’ Monti. In june 2013 he is one of the finalists of the prestigious International Jazz Competition “Premio Internazionale Massimo Urbani”, held in Camerino, Italy. In 2015 he records his first album as a leader, entitled “Now and then”. The album was produced by the internationally known trumpeter Tiger Okoshi and features also the Italian singer and writer Giovanni Lindo Ferretti. He has played with important artists such as: Eliel Lazo (Danish Grammy Award Winner 2011), Michael McDonald, Joe Arroyo. Vinicio Capossela, Mariko Awada (Columbia Nippon), Ludmilla Stefanikova ( Greg Osby’s Inner Circle Records), Creative Music Front (Groove Master Records), Calixto Oviedo, Tom Kirkpatrick. He has played in venues and Festivals in Italy, Europe, Usa, India. Some of the venues and Festivals includes: Gusman Center for the Perfoming Arts ( Miami, USA), Aganis Arena (Boston), Berklee Performance Center (Boston), Rockwood Music Hall (NYC), Italia Wave Love Festival (Florence, Italy), Tora Tora Festival (Reggio Emilia, Italy), Otranto Jazz Festival (Otranto, Italy), Shisha Jazz Festival (Pune, India), Pianoman (New Delhi, India).

Tango Crash is a contemporary music project that can be included in the widely known “electro-tango” movement. But this time we are facing a more radical and maybe more authentic musical approach to this genre: Tango Crash looks less into the mainstream dance floors and more into world music and jazz audiences. Overall we have in front of us a highly original mixture of pure tango with blends of jazzful improvisation underlined by contemporary electronic music. It’s a nice balance: Sometimes the danceful and elegant beats dominate the compositions and make clear that Tango Crash is an urban-touched project of the 21st globalized century, and sometimes you can clearly hear how they explore the more obscure and deep ground of the tango itself in its full complexity. 

The international populated big band, under the artistic direction of drummer Benjamin Strauß, plays up to the latest big band music on a high level. A varied program with music by Berlin composers as well as arrangements by Pat Metheny, Bob Mintzer, Maria Schneider, Bob Brookmeyer, the Yellowjackets, u.v.m.

The Klezmeyers, founded 20 years ago by Franziska Orso, remain faithful to their new album, in their infidelity to any musical convention. The new album "Moravica" is a continuation of the last album "Emilia's Smile". On "Moravica" they are still more intense traditional and worldmusical influences. "Moravica" - that is the name of a river that originates in Romania. Like the river - exciting, diverse, unique and fresh - so the music on this album. The band's own compositions are inspired by special places and special people. And so it goes to "Moravica" around the beginning of a life but also around its end and everything that happens to us in between. "Moravica" is the attempt to understand life as a journey, to places and to people. This explains the diverse musical components such as Klezmer, Jazz, Blues, Flamenco and Brasil. Just on the Volga river, the album goes to the Sugar Loaf, the stream of Moravica suddenly flows through Provence, a blues sound on its banks, and the Spanish village of Ronda suddenly appears to be offset to the green coast of Ireland. The three Berlin Klezmeyers Franziska Orso, Robert Keßler and David Hagen again seem to fuse opposites to their own style.

The music of the Sebastian Böhlen Band is determined by expressive strength and facette richness. Through the complete dedication for the musical moment, an extraordinary joy of play arises, in which the creativity of the individual musicians always unloads and thus the tension of the music permanently maintains. All personal abilities are used to give the group a natural and uniform banding. The musical language of the ensemble can be attributed to modern jazz. The program consists of jazz standards, which are constantly reinterpreted by the ensemble with a balanced mix of emotionality, tradition awareness and a strong personal touch.

The bassist Leonid Shinkarenko is one of the most prominent jazz musicians in Lithuania. Together with the saxophonist and keyboardist Vytautas Labutis, as well as the drummer Arvydas Jofė, two other great names of the Lithuanian jazz, he performed until 2004 the renowned "Lithuanian Jazz Trio". Now parts of the band are back as "Shinkarenko Jazz 4N". Drummer Linas Buda replaces Arvydas Jofė. Buda is not only a member of the international fusion jazz band of keyboardist Dainius Pulauskas; He also drums with the popular Lithuanian art rock band "Antis", which was successful in the 1980s, not only in the former Soviet Union and in Europe, but also in the USA. Also new is also saxophonist Jan Maksimovich, the star of a younger generation of first-class Lithuanian jazz musicians. For the first time this quartet comes to Germany with its groovy electroacoustic jazz. Since the last joint album of the "Lithuanian Jazz Trio" bore the title "To be continued" and the participants had promised to continue somehow, it was only a matter of time. It took more than a decade, but now it's time. "And we have the desire to play a little differently. With greater freedom for improvisation and expression, "explains Bandleader Leonid Shinkarenko. A concert in friendly cooperation with the Embassy of the Republic of Lithuania in the Federal Republic of Germany and the Lithuanian Culture Institute.

Tw(o)ne is the coming together of mutual minds, of similar souls. A synthesis of shared aspirations. An amalgam of interests pursuing such avenues as South Sea islands, Objectivism, waltzes that aren't. Tears in the key of blue. Dream states, Internet hardbop; Missouri, Liverpool. Rio de Jobim. Impressions of an infant's eyes, echoes of a giant's steps. Coming home. It's the equation 1+1=1. Introspective, challenging original compositions. For those whose taste for jazz reaches beyond easy listening.

A quintet, which exclusively presents its own compositions from the pen of its trumpet. The music can be classified into the genre of modern jazz, but it includes elements of cool jazz and modal jazz, combining them with modern form and sound structures. The Pascal Klewer Quintett was founded in August 2015 and is a modern jazz quintet, which is part of the young jazz scene in Cologne. The band around trumpeter Pascal Klewer plays exclusively own compositions. Soundscapes, polyrhythmics, as well as simple melodies are important fragments of their music. Nevertheless, ample space is left for improvisation to give air to breathe.

Our legendary jamsession with Robin Draganic!

“Limerence” is German/Canadian saxophonist Jonathan Lindhorst's debut album as a bandleader and composer. The term Limerence refers to an almost obsessive form of attachment or love, often bordering on obsession, and is a fitting description for his relationship to music.
On the album, Lindhorst takes his music beyond the world of jazz, drawing also from rock, folk, pop, free improvisation, as well as inspiration from comics and anachronistic words. To highlight the personal nature of this record, he begins with an introduction from the 11 year old version of himself, taken from a mixed tape he made for his parents after playing for only a few short months. These excerpts pepper the album, and pay homage to the inner child that just loves playing the saxophone. It quickly fades into “The Tryomancer's Apprentice”, a moody blues in 9 set to an energetic drum and bass groove expertly laid down by bassist Dan Fortin and drummer Nico Dann. “Unironic Moustache”, a tribute to his Turkish neighbours in the Wedding district of Berlin, is a rocked out anthem that allows guitarist Ryan Butler and Lindhorst to play off each other in a ferocious collective improv. The album also features a lot of intimate and quiet moments, especially in a series of duo interludes with trumpeter and shakuhachi flautest Aaron Shragge. These brief improvised moments reflect a musical connection that comes from nearly 15 years of playing with each other. At times, Lindhorst's music has a healthy dose of absurdist humour, as shown in his piece “Anatadaephobia”, a word taken from Gary Larson's The Far Side comic referring to the fear that somewhere, somehow, a duck is always watching you, featuring a duck attack solo by Shragge and Lindhorst.

Born in N'djamena, the Sahel zone of CHAD,from a gospel singer mother & an amateur of acoustic classical guitar father, Willy presents a special music with his roots from Moissala (in the south of Chad), mixes the rhythms « Klaag » & « SAYE » with Soul, Jazz & Gospel, sings in " MBAYE " his mother tongue and 8 other languages.
With a great pleasure, his brand new album "MAMOSPA" internationally recorded between Berlin (Germany) and Salvador de Bahia (Brazil) will be officially released in concert with live performed songs featured by some amazing musicians.
A melodic and groovy music with an extraordinary energy that invites you into his universe from the first to the last note of the show: The Willy Sahel music!
From Chad to the World!

The Berlin septet plays compositions and grooves by the trumpeter Christian Meyers from his current CD Meyers Nachtcafé "Plans And Plays". "Meyers" group combines elements of jazz, funk, hip hop, soul and gospel music. If you like jazz music, you will be well served. "
Culture level 2/2014
"With PLANS AND PLAYS the Berlin trumpeter Christian Meyers presents the third production under his name and the second with Meyer's Nachtcafe. This electric formation is reminiscent of Roy Hargroves RH Factor or the music of Rick Braun.
The band plays exclusively personal compositions by Christian Meyers and Martin Johnson. It offers the entire spectrum of funky jazz, driving grooves and loungy tracks. After her first album in 2010, Meyers Nachtcafe grew into a much-loved live act. Eckhard Stromer (drums), Alex Uhl (bass) and Rüdiger Nass (guitar) form one of the best-recorded rhythm groups in the South-West. Martin Johnson is a companion and soloist at the Rhodes as well as a producer for a above-average good band sound. "Bauer Studios Ludwigsburg.