The current incarnation of the Ed Partyka Jazz Orchestra was formed in 2007 and is made up of a mix of diverse musical personalities, from veterans of the European big band establishment to newcomers from the young Berlin, Amsterdam, Vienna, Graz and Prague scenes. The Orchestra is proudly international, with musicians from The USA, Germany, Austria, Holland, Switzerland and the Czech Republic coming together regularly to perform, with each member contributing their own unique artistic voice to create music that is much more than the sum of it’s individual parts. The music is an eclectic mix of original compositions, jazz standards and pop songs, all arranged in the distinctive style of the EPJO by bandleader Ed Partyka.

The current incarnation of the Ed Partyka Jazz Orchestra was formed in 2007 and is made up of a mix of diverse musical personalities, from veterans of the European big band establishment to newcomers from the young Berlin, Amsterdam, Vienna, Graz and Prague scenes. The Orchestra is proudly international, with musicians from The USA, Germany, Austria, Holland, Switzerland and the Czech Republic coming together regularly to perform, with each member contributing their own unique artistic voice to create music that is much more than the sum of it’s individual parts. The music is an eclectic mix of original compositions, jazz standards and pop songs, all arranged in the distinctive style of the EPJO by bandleader Ed Partyka.

"Berlin jatzzt ...." is a tribute to jazz in Berlin and its musicians from 1945 to about 1970. As a "red thread" the band "Berlin Calling" plays original compositions of Berlin jazz musicians such as Helmut Zacharias, Johannes Rediske, Helmut Brandt or Michael Naura, but also pieces by musicians like Nathan Davis or Fritz Pauer, who stayed in Berlin for a long time. It is reminiscent of the old clubs "The bathtub" (Motto: "Always nice and clean, and in the evening in the bathtub"), the "Riverboat", the "lyre box" and the "egg shell". The music is supplemented by reading texts, sound recordings, projections and an exhibition of original materials; Jazz magazines, program booklets, posters, photos, etc. As a special program item, contemporary witnesses and / or musicians are invited to report up close and personal about the past and past experiences.

THE SOUND OF ALL
THE FREE CASE IN THE HALL
THE BANG IN ALL, LYNESS EVERYWHERE. AIRA
Mastermind Martin Bosch's five sound (Raum) performers let their second album - A I R A - look deep into the room. Flickering fixed stars, overlapping Mondsee reflections and shimmering comets carry our earthly ear through dream and time. A I R A - this is pulsating music of our time, which goes far beyond jazz. Everything sounds and resonates against the earthly geometry, and during only one glance, a microscopic cosmos emerges and passes.

This band is more than just "another blues, boogie and jive band" This is played and gegrooved far beyond the traditional nose. The cast with KC Miller on piano and vocals, Felix Demeyere - Drums and Bernd Kuchenbecker on bass and vocal cords is at its best. This is not a museum visit, but a musical journey through time and a court party with "boys" from here and now, who also surprise with soul, own compositions up to AC / DC classics. For the concert in Luckenwalde the bandits have invited Martin Scheffler as special guest on the guitar, who has played with Inga Rumpf and Gitte Henning and will make the evening an unforgettable experience.

n 2009 torsten papenheim released “some of the things we could be“. on this highly praised album twelve original compositions are performed by thirteen musicians - a colourful pool of impressions, shapes, styles and techniques. 
tru cargo service evolved from the idea of performing selected pieces from “some of the things we could be“ live on stage. since its start in 2015 papenheim's new quartet figured out own new arrangements of those songs as well as new compositions written for this very special ensemble.
PRESSE:

"The well-known from Paris and New York" Vandojam "is now also in the B-Flat instead.
Supported by Vandoren / Paris.
Under the direction of Robin Draganic and Reiner Witzel

Adi Braun does not want to offer a nostalgic retrospective in her song program. The Canadian, whose album Modern Woman 2017 appeared, invites every musical gesture with meaning, gives the words wistful shine or satirical bite. The singer, jazz and theater woman Adi Braun asks about the "modern woman" of the Golden Twenties, whose peculiarities and longings she finds in the songs of Kurt Weill or in her own compositions like Josephine.
Adi Braun returned after a classical education in the late nineties to the jazz and the songs of the German cabaret of the interwar period. In 2003, she released her first album Delishious, followed by four others, testifying to her subtle art of nuanced expression. Listening to Franz Grothes You have to say it quietly in her interpretation, it does not sound like Margo Lion from the thirties, but quite after the 21st century, as well as the Weill hits like Mackie knife or Speak low.

CvdG is an integral part of the Berlin jazz scene; a competent, original and sensitive pianist and bandleader, an idiosyncratic composer and now also a sought after man at the Hammond organ "Bruno" with Henrik Walsdorf and Dirk Berger as soloists plays Originals from the Modern Jazz, compositions by John Coltrane, Wayne Shorter and others also one or the other own composition. "

SUPERSALAD is a jazz tradition with modern sound and songwriting on the pulse of Berlin's big city. Four musicians, composers, arrangers and bandleaders - your different music united in the common vision of a sound. Lyrical sound surfaces fused with powerful urban grooves, catchy melodies with crooked timbre and deconstructive collective improvisations.

With their colorful new album "Shades of Light", the "German Pentatonix" (buch und ton) are going on tour in Germany in March 2019. One reason to quickly secure your tickets, because what VOXID pressed onto their new record, you bring on the stage: vocal radiance and lots of positive energy. "VOXID has readjusted the technical and stylistic standards of the genre A cappella." (LVZ) In addition to five absolute exceptional voices, Leipzig has one thing above all else: a refreshing and varied, award-winning songwriting, packed in a rousing live sound. Anyone who has seen the sympathetic vocal artists live can also confirm that they fully understand their craft. In addition to the pearls of popular music from their own pen "German Pentatonix" also have a few notable cover versions in the luggage. At the heart of her work are innovative pop as well as funk, soul and a bit of electro. But above all, your own enthusiasm for good music and the fun of sharing it in a humorous show with the audience.

Pies en la Tierra has participated in international festivals around the world. Some include the International Jazz Fest in San Sebastian (Spain), Getxo Jazz and Ezcaray Jazz Fest (Spain), & MIRA Jazz in Buenos Aires, Jazz a la Calle (Mercedes, Uruguay), y Vientos de Jazz (Arica, Chile) The repertoire is based mostly of original compositions that explore the fusion of Ecuadorian and Latin American melodies and rhythms with more contemporary, modern musical elements. 
Their 4 albums "Pies en la Tierra" (2004), "Part De" (2005), "Shungo" (2009) and Anomalía (2011) have marked a new stage in the Ecuadorian contemporary music, thus becoming an icon of reference within the scene of national and international music. One of the main features of the quartet is the active participation and collaboration of highly recognized international musicians such as Jorge Pardo, Randy Brecker, PericoSambeat, Ricardo Cavalli, Tony Speranza, and Walt Szymansky among others.

n May 2016 Peter Van Huffel spent three weeks as composer in residence at the Banff Centre for the Arts in Alberta, Canada, where he formed the initial concept and completed the first compositions for a new octet project. The compositions for this project mix together elements of jazz, free improvisation and 20th century contemporary classical music, with strong influences by renowned composers such as Berio, Ives, Feldman, Zorn, Mingus, Ellington and many more. Many of the pieces written for this ensemble intertwine composition and improvisation with texts by a range of authors including the renowned poet e.e. cummings, and the contemporary american poet, Julie Joosten, who Van Huffel befriended during his time in Banff. In this music one can hear the various sounds and musical directions Van Huffel has been known for from his numerous past and present projects, including Gorilla Mask, House of Mirrors, Hufflignon and the Peter Van Huffel Quartet & Quintet. The Peter Van Huffel Octet is his largest ensemble as a bandleader to date.

the legendary jam session with Robin Draganic

Sociocritical, direct, intoxicating. Inspired by jazz greats such as DeeDeeBridgewater and Dianne Reeves, Franziska Loos composes pieces that strike the listener with a directness that is hard to resist. The focus is on the stories, the search, the human abysses but above all the hope - showing, without being obtrusive. Implemented by the "unmistakable [...] voice of Franziska Loos [...]. Three octaves in circumference and a kaleidoscope of moods that she can portray - her pure zest for life can do her best. "Kölner Rundschau 10/16 The extraordinary instrumentation with vibraphone and wind section allows all musicians in changing constellations plenty of space for improvisation. Sometimes groovelastig, sometimes spherical or completely modern noisy. No matter which direction the music takes, at loos.extended seat-dancing is guaranteed.

Music is a passion.
Grown up in Germany's main metropolis, he has recorded almost every stage in the country and made a name for himself when it comes to party, gala or classical jazz / gospel concerts or SOULMUSIK.
His successes are due to the Afro-American background of well-known figures such as Cunnie Williams, Scooter, Heiner Pudelko, Rio Reiser, Demis Roussus, Chris Norman, Ines Paulke and many others for whom he worked or was on the stage. He accompanied a number of CD / TV productions and shows with devotion, as well as the gala in favor of Welthungerhilfe with Dieter Thomas Heck or the world-famous musical Porgy and Bess, the Berlin Theater of the West under the direction of Götz Friedrich, who with this performance several Years of success, or the Berlin Wintergarten Varietè with his show Forever Young, directed by Georg Strecker and Frank Müller, the CD production Gospel Meets Soul Classics, which was published in 2004 on Edel Records, where he has his voice and could prove his musical know how. Ben Mayson, The Master of Soul And Gospel, was once headlined by the renowned Yorckschlösschen Berlin, an entertainer who knows how to entertain and enthuse the audience with his charismatic and soulful singing.

Jannis Zotos, the Berlin-based Greek composer and musician, who has enjoyed a close musical and personal friendship with Mikis Theodorakis since 1980, has put together a fantastic Winter band. He will play songs from his last CD s ("Siganes Phones tis Mnimis" - lyrics by Mikis Theodorakis, "Amour fou" - lyrics by Maria Polidouri / Kostas Karyotakis and "Zotos sings Theodorakis").

"A standard can be described in a formalized or non-formalized set of rules or be unplanned "(Wikipedia)
Brüning and Betancor, two dizygotic twins separated from each other for decades, have been bringing the German language to life for decades and are putting their matrix on the stage with I ME MINE YOU: jazz standards, edited, compositely composed, condensed and translated into German. With Christian Von Der Goltz and Martin Klingeberg on piano, horn and trumpet and twice vocals, alternating and in the movement, a powerful quartet without drums forms. The selected standards of Monk, Miles Davis, Fats Waller, Annie Ross and others act
next to love, self-reflection and celebrated autonomy, of the night, the moon, the shadow and the unconscious side. Post-poeming and attacking, night becomes day here. The four musicians rearrange the canon with the result of a contemporary, too
Heart going jazz song project.
Uschi Brüning

"Courage is a matter of the heart, of the center of the person, so bravely one can boldly say (the French and English word courage is derived from coeur)." (From: Paul Tillich "Courage to Become")
So the jazz singer Esther Kaiser understands the term courage as a matter of the heart in her new project "Songs of Courage" and would like to connect worlds on her new, August 2018 on the label GLM appearing album to find a common musical language for the topics of our time.
"I was looking for ways to express myself through my medium, the music - even in social issues. And to open your mouth - in the truest sense of the word. This is important to me, right now, with the current issues and the mood in society, this sometimes irreconcilable division between people and opinions. Nina Simone once said "An ArtistsDutyistoreflectthetimes" - I see it very similar "- says Esther Kaiser when asked about the motivation for the new album.
And so meet jazz sounds meet oriental sounds, Berlin jazz musicians on refugee musicians from Syria and Iraq.

The guitarist, composer and New Yorker Andreas Arnold presents his new album Odisea (Galileo / Bayla Records). Half of the album was created over a period of three years between Cadiz, Madrid, Paris and New York. The other one was recorded live in Brooklyn on an evening in February 2018 with Greek double bass player Petros Klampanis and Spanish percussionist Miguel Hiroshi. The two exceptional musicians accompany the guitarist for the first time in Germany as part of the CD release tour. Flamenco guitar, double bass and percussion form a unity in the trio in which the roles of the protagonist and the accompanist always shift. The often filigree, chamber music compositions serve as starting points for adventurous improvisations that radiate joy of playing and intensity.

the legendary jam session with Robin Draganic

Julian and Maciek starting playing in a quartet  together in 2016. They initially played many venues across London and in April 2017 recorded an album called Transitions at The Artesuono Studios in Udine in Italy with ECM engineer Stefano Amerio. The album was released in Septemebr 2017 on33Jazz records. Julian Costello - Saxes Maciek Pysz - Guitars Yuri Goloubev - Bass Adam Teixeira - Drums
Julian Costello is a sax lyricist, telling his stories of life’s ups and downs with perfect alteration of tone to impart strength, humour and even frailty at times... This is a great album, strong, tenacious in its quality and simply makes a great listen" Sammie Stein Jazz in Europe.
It's one of those albums which creates it's own mood, an album to listen to from beginning to end....and then come back to it, time after time. Musicianship in service of the music more than the ego". Ken Avis (US Critic) They toured the Uk in 2017 and 2018 and establishing their reputation for intense live performances that contain great energy, and also humour, they embarked on an Open Soundcheck Tour of England and France in the autumn of 2018 with support from the Arts Council of England.. They performed at The EFG London jazz Festival to a packed house, a wonderful concert in St Etienne in France and have dates this March in Poland, Germany and Belgium. Quartett-Jazz made in Britain mit ganz personlicher Note: Ein Lab-sal Jazz Podium Deutschland.  
Julian Costello is a London-based musician, composer and teacher. Julian writes the music for the Julian Costello Quartet, plays in a number of jazz big Bands, in a vocal/cello and guitar trio called Perhaps Trio and in a world music trio called Vertigo with Tabla/Percussion, Oud/Guitar and Soprano Saxophone. 

ay Blue’s music can be described as a fusion of straight ahead jazz and rhythmic groove. Ray is a New York bred saxophonist, composer, arranger and educator who performs internationally. Over the years he has shared the stage and studio as a leader, a sideman and a band member with John Gilmore, Dr. Art Davis, Benny Powell, Eddie Henderson, Kirk Lightsey, Charlie Persip Super Band, Clifford Adams, Wycliff Gordon, Bernard Purdie, Steve Turre, Ted Curson, Joe Lee Wilson, Alicia Keys, The Sun Ra Arkestra, Cotton Club All Stars and many others.
​He was also a cast member of the “Ray Charles Show” which toured in Germany, Switzerland, Austria and Italy 2008 to 2010.
His festival performances as leader and featured artist include: Hartford Jazz Festival, Hartford, Connecticut; Zanzibar International Film Festival, Zanzibar, Tanzania; North Sea Jazz Festival-Cape Town, South Africa; Macufe Festival- Bloemfontain, South Africa; European Union Annex Festival-Dublin, Ireland; Audi Jazz Festival, Brussels, Belgium; Macao Jazz Festival, China; Midi Music Festival-Beijing, China; Pori Jazz Festival, Finland and others. ​After receiving a graduate degree from the University of Iowa, Ray returned to New York, got re-connected on the scene and studied at the Jazz Mobile with Charles Davis, Stanton Davis and later with Paul Jeffrey, Charlie Lagond, Sonny Sharrock and Barry Harris. Some of his mentors include Arthur Blythe, Houston Person, Ornette Coleman and Benny Powell. ​Ray Blue is also a graduate of Wm. Penn University, which annually presents “The Ray Blue Jazz Award” since 2004 to a graduating senior. In addition, Wm. Penn University hosted its inaugural “Jazz Education Festival” in 2007 for High School and College musicians in Ray Blue’s name. They also presented Ray the “Distinguished Career Award“ in 2010. Ray is a 2013 “New York Blues Hall of Fame” inductee - Master Blues and Jazz Artist. His awards include: 2015 Iowa Juneteenth “Jazz Legacy Award”, 2016 “Arts Education Award”, 2017 “Living Legacy Award”. Ray released his first CD as a leader, Always with a Purpose, in 2001. Then came Ray Blue Live at Liars Theater in 2004 and “Ray Blue Live at Liars Theater 2 in 2005. In 2006 Ray released ‘Transvision’ on the Neu Klang label and Berries and Blues in 2010. Ray Blue consults and presents at schools, colleges, universities and communities institutions around the world. He is the founder of Cross-Cultural Connection, Inc. a 501 (c) 3 non-profit organization that promotes jazz culture, performance and education. He endorses GB Saxophones and Vandoren mouthpieces, reeds and accessories.

ay Blue’s music can be described as a fusion of straight ahead jazz and rhythmic groove. Ray is a New York bred saxophonist, composer, arranger and educator who performs internationally. Over the years he has shared the stage and studio as a leader, a sideman and a band member with John Gilmore, Dr. Art Davis, Benny Powell, Eddie Henderson, Kirk Lightsey, Charlie Persip Super Band, Clifford Adams, Wycliff Gordon, Bernard Purdie, Steve Turre, Ted Curson, Joe Lee Wilson, Alicia Keys, The Sun Ra Arkestra, Cotton Club All Stars and many others.
​He was also a cast member of the “Ray Charles Show” which toured in Germany, Switzerland, Austria and Italy 2008 to 2010.
His festival performances as leader and featured artist include: Hartford Jazz Festival, Hartford, Connecticut; Zanzibar International Film Festival, Zanzibar, Tanzania; North Sea Jazz Festival-Cape Town, South Africa; Macufe Festival- Bloemfontain, South Africa; European Union Annex Festival-Dublin, Ireland; Audi Jazz Festival, Brussels, Belgium; Macao Jazz Festival, China; Midi Music Festival-Beijing, China; Pori Jazz Festival, Finland and others. ​After receiving a graduate degree from the University of Iowa, Ray returned to New York, got re-connected on the scene and studied at the Jazz Mobile with Charles Davis, Stanton Davis and later with Paul Jeffrey, Charlie Lagond, Sonny Sharrock and Barry Harris. Some of his mentors include Arthur Blythe, Houston Person, Ornette Coleman and Benny Powell. ​Ray Blue is also a graduate of Wm. Penn University, which annually presents “The Ray Blue Jazz Award” since 2004 to a graduating senior. In addition, Wm. Penn University hosted its inaugural “Jazz Education Festival” in 2007 for High School and College musicians in Ray Blue’s name. They also presented Ray the “Distinguished Career Award“ in 2010. Ray is a 2013 “New York Blues Hall of Fame” inductee - Master Blues and Jazz Artist. His awards include: 2015 Iowa Juneteenth “Jazz Legacy Award”, 2016 “Arts Education Award”, 2017 “Living Legacy Award”. Ray released his first CD as a leader, Always with a Purpose, in 2001. Then came Ray Blue Live at Liars Theater in 2004 and “Ray Blue Live at Liars Theater 2 in 2005. In 2006 Ray released ‘Transvision’ on the Neu Klang label and Berries and Blues in 2010. Ray Blue consults and presents at schools, colleges, universities and communities institutions around the world. He is the founder of Cross-Cultural Connection, Inc. a 501 (c) 3 non-profit organization that promotes jazz culture, performance and education. He endorses GB Saxophones and Vandoren mouthpieces, reeds and accessories.

New York City and Cologne are the contrasting worlds in which Johannes Ludwig and Johannes Felscher move daily. 2019 is the third tour of their quartet Immigration Booth, which brings the band in updated cast on European stages. As a newcomer to the bass clarinet is in Phoenix, Arizona Boris Lucas Pino here, he lives and acts as well as bassist Johannes Felscher and drummer Peter Kronreif already years in New York. Saxophonist and clarinetist Johannes Ludwig meanwhile holds the position in one of the most important centers of European jazz. Immigration Booth is dedicated to hypnotic soundscapes that live from rhythmic overlays, pulsating loops and melancholic melodies. The space for improvisation is not simply opened habitually but deliberately dosed. The musical influences range from jazz to minimal music to electronic music. The debut album "Hinterm Spiegel", co-produced by Bayerischer Rundfunk, was received enthusiastically by the audience and the press, "a great, attractive debut album", for example, headlined by the Westfälische Rundschau. As part of the spring tour in 2019, the next album of the quartet will be released, so you can expect a lot of new material!

The B Flat Jazz Orchestra stands in the tradition of the great New York jazz clubs such as Village Vanguard and the Jazz Standard with their own big bands, which are always performing on Mondays.

The members of the B - Flat Jazz Orchestra reflect Berlin's extremely lively jazz scene in a special way. The program includes the great American pioneers of big-band jazz as well as current European and American big-band compositions by Gil Evans, Bob Brookmeyer, Maria Schneider and music by director Maria Baptist. 
Pianist, orchestra composer and multi-award-winner Maria Baptist from New York and Berlin has played her way to the top of Europe's current jazz scene. She has worked with numerous international acclaimed bigbands such as the Budapest Jazz Orchestra, Reykjavik Bigband or hrBigband.

Paolo Profeti graduated with honors at the Conservatory Giuseppe Verdi in Milano. He also received a diploma at the Accademia Internazionale della Musica directed by M. Enrico Intra and Franco Cerri. He further studied with great saxophone players such as Jesse Davis, Rosario Giuliani, Billy Harper, Paolo Profeti European Collective presents, in absolute premiere and as only concert in Berlin, „Glide”, its newest album, released this January with Italian Jazz label UR Records. The quintet proposes original pieces written by leader Paolo Profeti, composer and saxophone player of Italian origin who has been residing for 6 years now in Bucharest, Romania. That’s where he created the European Collective, an international band, as suggested by its name, uniting some of the best musicians of European jazz scene. Sven Ziebarth, very young and eclectic German saxophonist, pianist Davide Incorvaia and bassist Giuseppe Bottiglieri, both of Italian origin and residing in Berlin, as well as drummer Joe Smith, an American also residing in Berlin. Apart the indisputable technical skills of the individual musicians, it is the deep friendship uniting them that gives this quintet all the aces for a genuine explosion on stage.
Profeti’s compositions in this new album „Glide”, deeply rooted in the jazz tradition, are at the same time absolutely contemporary, original in their themes and sound. One may re-live some Progressive Rock echoes of King Crimson, or electro Tango vibes in Tango para Zoe, whose final melody brings back the spasms and flavors of the milongas, like many Tangos Nuevos of bands such as Bajofondo or Narcotango. Le chiavi di Via Arquà recalls certain atmospheres of John Taylor or Tigran Hamasyan. However, despite the variety and abundance of inspirational sources, the album is absolutely coherent as a whole: a piece of work taking the audience on a rich and unexpected exploration.

he legendary jam session with Robin Draganic

"First, Before Dawn, now In the End of the Night – the first two albums by the Oddgeir Berg Trio essentially take place at the same time: The hours before the break of day, this unreal and meditative phase which the Portuguese call madrugada. Outwardly, not a lot has changed in terms of the music. In the End of the Night still featues an equally withdrawn and cinematic sound, subliminally resonating grooves as well as the bittersweet harmonies of Oddgeir Berg's piano. And yet, this album is definitely not without its surprises.
Not a year has passed since the Oddgeir Berg Trio presented its debut. On paper, it looked like the work of three hungry young instrumentalists. In truth, the individual members had long established themselves as top-notch session musicians on the Norwegian scene. The courage to 'do their own thing' has paid off: The album received rapturous reviews in publications worldwide, from All About Jazz to Japanese mag JazzSpace and Germany's renowned Jazzthetik. On the ensuing tour, the band managed to magically translate the sound of this unique record to the stage. At the same time, they also opened themselves up to experimentation. Some of the results have now found their way to the new album.
In the End of the Night certainly seems to be inspired by the suspenseful tight rope act of the live gigs. On the one hand, pieces like "List" still feature the recognisably intimate interaction between Berg, bassist Karl-Joakim Wisløff and drummer Klaus Blomvik. On "The Escape", meanwhile, the band add electronic sound effects to their palette, making Berg's minimalist piano motives sound like an electro bass. It is opener "Vagabond", however, which constitutes the most radical departure from routine here: For four minutes, the trio luxuriate in their characteristically dreamy melodies, before Wisløff suddenly unleashes hell, running his arco bass through a fuzz box and channeling the ghost of Jimy Hendrix.
As per last time, the band recorded in their very own Bonker Studio in Oslo. Even though they could have taken their time, all ten tracks were produced in a mere two days. The urgency shows how serious this group is about the basic creed of jazz: Looking for eternity in each passing moment. And yet, experience has taught the musicians of the Oddgeir Berg Trio that you can not force these moments. You have to patiently wait for them to happen – even if it takes until the end of the night." 

the pOwer quartet "VIPER`s DRAG" effortlessly transfers the drive and joke of thOmas wallers musikin`s NOW.
thOmas "fats" waller was not only a gifted pianist and entertainer, but also as a composer and actor he was highly successful, only occasionally stunted by latent racism. VIPER`S DRAG has brilliantly translated his (originally self-pianist piano-like) music into a transparent quartet format, which works perfectly and also creates a fresh sound. check it out!

With an inimitable mix of driving soul jazz numbers by Adderley, Eddie Harris etc. and various compositions by
Agent Alpha is working the ALPHA ALPHA agents on their mission, the overall vibration level of the current state
to lift the confusion to the level of PEACE, LOVE and HAPPINESS to break the matrix and create a new one
To create awareness!
Peace, Love and Happiness for every ONE !!!
alpha alpha
...makes happy !

If we take a closer look at Ji Seon Moon's first name, we find that "Ji" is single-minded and "Seon" means "good heart" and that is exactly the mix that makes up the young Korean artist. With charismatic charisma and a virtuoso voice, Ji Seon Moon and her band spans a wide musical spectrum from traditional jazz to alternative and world music. With new interpretations of already known pieces, with creative own ideas and also with unmistakable Asian nuances, Ji Seon Moon invites you into her sonic spheres. Thirteen years ago, the cosmopolitan Korean chose Germany as the site of her artistic intention. In the need for acceptance and understanding of all human cultures, the singer, deeply committed to traditions and at the same time experimenting with experimentation, combines elements of American jazz with the interesting sounds of her homeland. Mindfully, she composes and creates a new, touching and fresh sound with her band from Weimar. In her own music we can experience triumphs and disasters of life.